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Zurück Germany > Berlin > Hamburger Bahnhof – Museum für Gegenwart  > Exhibition
Pauline Curnier Jardin. Fat to Ashes
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Pauline Curnier Jardin. Fat to Ashes

Eine Sonderausstellung der Nationalgalerie – Staatliche Museen zu Berlin

Pfeil nach unten
01. March 2021 - 19. September 2021

Fleisch, Haut, Wachs, Konfetti, Blut, Gedärme, Du?fte, Sinne, Rauch, Ritus, Alkohol, Exzess, Beru?hrung, Gesang, Fett und Asche: Das sind mitunter die weichen, rauen, sanften, derben Materialien, mit denen die Ku?nstlerin Pauline Curnier Jardin in ihrer Arbeit hantiert. Die Gewinnerin des Preis der Nationalgalerie 2019 zeigt in der Histo-rischen Halle des Hamburger Bahnhof – Museum fu?r Gegenwart – Berlin die anlässlich ihrer ersten institutionellen Einzelausstellung in Deutschland entstandene raumgreifende Videoinstallation „Fat to Ashes“.

Jardins filmische und installative Sprache greift oftmals altertu?mliche, mythenhafte Erzählungen auf, die sie dekonstruiert und durchbricht. „Fat to Ashes“ verbindet drei filmische Momentaufnahmen: ein religiöses Fest zu Ehren der heiligen Agatha, die Schlachtung eines Schweins und den Kölner Karneval. Der Ausstellungstitel verweist auf eine Woche der Aus-schweifung vom sogenannten „Fat Thursday“, oder „giovedì grasso“, bzw. Weiberfastnacht oder Fettdonnerstag im Deutschen, bis zum Aschermitt-woch als Tag der Ernu?chterung und Beginn der Fastenzeit nach christli-chem Kalenderjahr.

Jardin zeigt diese drei Handlungsräume als Orte der Transgression und der Verwandlung, in denen aus kultischen Bräuchen bis in die Gegenwart eine gesellschaftliche Funktion des Zusammentref-fens, der performativen Zurschaustellung und der exaltierten Loslösung geltender Normen fortfu?hrt wird.Eine italienische Su?ßspeise etwa, die der Form einer Brust nachempfunden ist, wird an dem Festtag zum Gedenken des Martyriums der heiligen Agatha verspeist. Die Schlachtung des Schweins geschieht abseits in-dustrialisierter Massentierhaltung auf einem traditionellen, ländlichen Hof.
Die Bilder vom Kölner Karneval wiederum sind voller Leben. Im Ru?ckblick auf das Karnevalgeschehen lesen sich die Feierlichkeiten wie eine letzte große kollektive Ausschweifung bevor wenig später, wie die heutigen Betrachter*innen des Videos wissen, Covid zum bundesweiten Lockdown fu?hren wird.

 Ein raumgreifendes Amphitheater umfasst die Videoinstallation als Zentrum des Spektakels und so sind Wandlung, Prozession und praktizierte Performance im ritualisierten Exzess die inhaltlichen als auch formalen Attribute von Pauline Curnier Jardins „Fat to Ashes“.

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